8/7/2023 0 Comments Royal blood lights out reviewAs we’ve come to expect, Mike Kerr inventively layers a heavyweight wall-of-sound solely with his bass, while Ben Thatcher’s rhythms simultaneously swing with a spacious groove while pummelling us into submission. If in doubt, they remembered a nugget of advice offered by Rick Rubin – that the sound of Royal Blood isn’t defined by genre or the instruments that they play, but by the unique chemistry forged by the two friends.īut as the single ‘Mountains At Midnight’ proves, sometimes the result was a fresh take on the old school Royal Blood prototype – albeit with a supercharged rush. They allowed themselves the freedom to embrace other ideas: at times being guided by melodies rather than riffs and rhythms, and in others deploying whatever instrumentation they felt best complemented the songs. Just as importantly, they cast aside any preconceptions of what Royal Blood should be. They discovered that the best ideas were the result of following their instincts, their unspoken, subconscious connection honed over the course of 15 years playing music together. It was a process which cancelled out the noise of any external influences, while also allowing them the convenience to write at their own studio in Brighton whenever inspiration struck. That spirit of independence continues into ‘Back To The Water Below’, which saw them self-produce an entire album for the very first time. Their victories have come from hard work, prodigious songwriting, fierce performances and a smidgeon of good fortune. Favouring working independently away from prying eyes rather than enlisting the help of the latest big name co-writer. Relying on their friendship and intuitive musicianship to guide them through as they were catapulted into arenas. Throughout, their story has been one of independence. One day they were plotting how to recoup the meagre £300 they had spent on their first recording, but within a year they were at the top of UK album charts, storming Glastonbury and winning the BRIT Award for Best British Group. Long before Royal Blood were even formed, they spent years together in various bands playing to half empty bars around Brighton – and only then did they suddenly become a decade-in-the-making overnight success story. “Thank you guys so much! We fucking love you!” Kerr told us as they walked off stage.Royal Blood today ignite an epic season ahead as they announce the September 8 th release of their fourth album ‘Back To The Water Below’ and share its lead single ‘Mountains At Midnight’.įrom the very beginning, Royal Blood’s story has been one of two life-long friends whose shared passion and dedication for writing and performing has led them on a remarkable adventure together – a story that has yet to be repeated, and is a feat as rare as it is remarkable. According to their set list, they were to walk off after Loose Change however, instead of doing the whole overrated encore, they just continued with Ten Tonne Skeleton and ended their set with Out Of The Black (with Kerr straddling the drum kit and playing the cymbals). If their previous songs had been played at 10, then seeing them play Figure It Out and Loose Change just knocked everything else out of the water as they absolutely destroyed the amps. “I know how to party Sydney! You bunch of mother-fuckers!” as the audience cheered him on. “So tonight, I was meant to be doing something else but I cancelled my gig at the Opera House” before taking off his shoe to do well….a shoey. It feels so fucking great to be back in Australia where everything is well…better!” Kerr said before introducing us to “the rest of the band”. “I fucking asked for that didn’t I?” before playing keys for Hole In Your Heart. After Blood Hands and She’s Creeping, some larrikins in the crowd started singing the Australian Drinking song.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |